Most of the cast returns to this belated sequel to the hit 2008 musical, which represents a rundown of ABBA’s not-so-greatest hits
This sequel to the 2014 adaption of the comic series is as fun as its predecessor, but lacks its devilishly explosive finale
Kingsman: The Secret Service works best as a comedy that subverts the James Bond franchise and doesn’t take itself seriously
Before I Go to Sleep is a terrible movie, but it’s also a highly entertaining one: this idiotic thriller gets sillier and sillier as it goes along
Magic in the Moonlight is a lightweight piece of Woody Allen fluff with precious little magic or moonlight.
The Railway Man, a tender WWII drama, is well-crafted by director Jonathan Teplitzky and beautifully shot by Garry Phillips
Gambit boasts a script by Joel and Ethan Coen, from the original 1966 Michael Caine caper movie of the same name.
Tinker Tailor Soldier Spy has a near-impossible task: to hold up to John le Carré’s much-loved cold war-era novel and the definitive 1979 BBC miniseries
The King’s Speech is a great story, and like many great stories, it’s (mostly) true; Colin Firth and Geoffrey Rush are both excellent in their roles
A Single Man immediately identifies director Tom Ford as an auteur with impeccable control over his craft
The Accidental Husband has a couple of appealing performances from Uma Thurman and Jeffrey Dean Morgan
Helen Hunt’s directorial debut Then She Found Me succeeds best as lightweight sitcom-level fare
ABBA’s music can be plenty fun, and Mamma Mia! has fleeting, all-too-brief glimpses of that fun
The Last Legion is an awful mess concerning the journey of young Romulus Augustus, heir to the Roman throne