The good doctor finds himself lost in another dimension in this horror-themed Marvel departure starring Benedict Cumberbatch
The latest film in the Fast franchise starring Vin Diesel lives up to the standard set by previous entries
This Cold War action-thriller features a tangled mess of a plot that gets in the way of any spy games fun
Vin Diesel and co. are back with more of the same, though this might be the series’ second-best entry after Fast Five
Just what you’ve been waiting for: a sequel to Snow White, minus Snow White and the Seven Dwarfs
Dark Places is a decent little thriller, and writer-director Gilles Paquet-Brenner has a keen sense for the Southern Gothic atmosphere
Mad Max: Fury Road is the craziest $100 million blockbuster ever made, and demands to be seen in the biggest and loudest cinema possible
There’s just one problem with Seth MacFarlane’s A Million Ways to Die in the West: it isn’t very funny
Prometheus, director Ridley Scott’s prequel to Alien, is a masterful mixture of brainy sci-fi ideology and splatter movie schlock
Snow White and the Huntsman is a joyless, oh-so-serious slog through the Snow White and the Seven Dwarfs fairy tale
The Road is cold, miserable, relentlessly grim; there’s no joy and little hope in this post-apocalyptic tale
Stuart Townsend’s Battle in Seattle is a surprisingly effective little piece of propaganda
Two-thirds of a solid superhero satire are sabotaged by a disastrously misconceived final act in Peter Berg’s Hancock
In the Valley of Elah is an investigative drama that doesn’t quite reach the aspirations of its true-life story