Red 2 is better written and staged than its predecessor, lighter and funnier, with more coherent action scenes and an expanded cast
Allen Hughes’ Broken City shows all the telltale signs of post-production tampering, which has resulted in a choppy film full of loose ends
Steven Soderbergh’s Side Effects starts out as one kind of movie and becomes something else entirely
The Rebound an entirely effective and affectionate movie, and one of the best romantic comedies in recent memory
In No Reservations, Catherine Zeta-Jones stars in a bland remake of Mostly Martha