Ezra Miller’s Barry Allen runs back through time and turns reality into spaghetti, but it’s Keaton’s old man Batman that gives The Flash its real sizzle.
A now-adult Losers’ Club returns to Derry to face Pennywise in this sequel that matches the original in overall quality, and tacks on an extra hour of running time
Less an adaptation of the Stephen King novel and more a re-imagining of the 1990 miniseries, It still delivers the goods
Mama is an exceptionally well-crafted piece of work, nicely shot (by Antonio Riestra) and scripted (by Neil Cross and the director)