This one is packed with enough genuine laughs to succeed as a feature film comedy in 2025… even if it never really lives up to the original movies.
Despite first-rate use of Prague locations and solid lead performances by Bill Skarsgård and FKA twigs, this version of The Crow stumbles in its revenge movie storytelling.
The Crow, which was filmed in Prague in the summer of 2022, will be released in cinemas across the Czech Republic and worldwide from June 6, 2024.
Vanity Fair has unveiled the first official images for The Crow from director Rupert Sanders, which opens in cinemas later this spring.
Two years after production on the reboot of the 1994 cult classic took place in Prague, The Crow will hit screens in U.S. cinemas this June.
The comic book adaptation, which filmed in the Czech Republic during the summer of 2022, is expected to hit cinemas in 2024.
Neeson makes for a solid Philip Marlowe in this great-looking but ultimately unengaging update of the Raymond Chandler mysteries.
The religious horror movie from the director of Black Death and Severance is now playing in U.S. cinemas, and it was inspired by a 1967 Czech film.
Filming for the new comic book adaptation took place in the center of the Czech capital as well as Munich’s new Penzing Studios
A night of Charades and Jenga turns into David Fincher’s The Game in this well-cast, well-played comedy
DC finally matches Marvel with the biggest (and best) superheroine film to ever hit cinemas
In both visual and storytelling terms, Big Eyes is the most straightforward movie that Tim Burton has ever made
The Congress is a dense, heady little piece of science fiction from the director of the Oscar-nominated Waltz with Bashir
Hitchcock is an especially disappointing film that doesn’t do justice to the titular director or his films, particularly Psycho
Wrath of the Titans is a sequel to 2010’s Clash of the Titans, itself a remake of the 1981 film of the same name
Robin Hood is good-enough entertainment, made by capable filmmakers, tightly scripted by Brian Helgeland
In Edge of Darkness, director Martin Campbell returns to familiar ground: his well-regarded 1985 BBC miniseries.
X-Men Origins: Wolverine is about as unwieldy as its title: it’s a big, sprawling mess of summer blockbuster, but lovable just the same
An unfortunate title describes its contents all-too-well in Robert B. Weide’s How to Lose Friends & Alienate People
A stark Alaskan setting greatly elevates David Slade´s 30 Days of Night
The Kingdom, with Jason Bateman and Jamie Foxx, works quite nicely as a war movie meets police procedural
You may be more forgiving if Joel Schumacher’s The Number 23 is only the 23rd variation of this twisty psychological thriller you’ve seen