The MCU’s latest take on Marvel’s First Family is stylish and fun, even if it doesn’t quite stick the landing.
Exiled Iranian filmmaker Sepideh Farsi captures life in Gaza through intimate video calls with Palestinian photojournalist Fatima Hassouna.
Another group of teenagers pays the price for making a bad decision following a hit-and-run accident in I Know What You Did Last Summer, opening
Inspired by the infamous real-life Bambini di Praga case that made headlines back in 2004, this fictionalized account dedicates focus to a single victim, but relays a frightening account of how predators subversively operate in plain sight to rob children of their innocence.
A hollow exorcism thriller with sitcom-style camerawork and recycled scares, The Ritual is more parody than possession.
James Gunn’s Superman is bright, bold, and sincere—bringing the Man of Steel back to life, even if the story itself falls short.
Agnieszka Holland’s Franz, a Kafka biopic shot in Prague, has unveiled a first trailer and new stills ahead of its Czech release on September 25.
In terms of a straightforward adventure movie packed with dinosaur thrills, it’s the series’ best entry since Joe Johnston’s Jurassic Park III.
The Ex Machina-meets-Child’s Play sci-fi-horror trappings from the original film have been jettisoned for the full Terminator 2: Judgment Day treatment.
NOW STREAMING ON: Three decades after suffering a career-altering injury, a 50-something driver is recruited to lead a racing team in F1 (also titledF1: The
This long-awaited sequel isn’t quite as innovative as the original 2002 film, or as intense as its 2007 sequel, but it works on deeper, more theological levels.
This new slasher film with a strong dash of comedy boasts standout scenes of bloody horror and laugh-out-loud moments, even if it doesn’t live up to Tucker and Dale.
This feature directorial debut from Succession co-creator Jesse Armstrong boasts the same kind of car-crash-fascinating personalities, but the film gets increasingly irritating the longer we spend time with them.
This one hews close to the original in both story and design—and fully recaptures its magic, resulting in a better update than anything Disney’s recent slate of live-action remakes.
This John Wick spinoff starts on shaky footing with an exposition-heavy first half, but an eye-opening final 40 minutes of nonstop slam-bang action delivers on its franchise promise.
This prototypical Wes Anderson pastiche has all of the pleasures of the filmmaker’s style in abundance—but also an aloof story that never fully draws us in.
This innocuous and generally likable return to the Karate Kid franchise nicely bridges the gap between the original films with Pat Morita, 2010’s reboot, and Netflix’s Cobra Kai
This R.L. Stine adaptation perfectly captures the 1980s slasher movie aesthetic of films like Prom Night, but there’s one problem: those movies were never all that good in the first place.
This fast-paced adventure benefits from peppy direction by Guy Ritchie and charismatic performances from a cast led by John Krasinski and Natalie Portman that results in a largely agreeable experience.
This Tom Cruise blockbuster rates right alongside its predecessor as a finely-tuned, breathless piece of blockbuster filmmaking, and sends the M:I series out on a high note.
This sixth entry in the franchise and first since 2011’s Final Destination 5 benefits from an engaging narrative that shakes up the usual story and some creative murder set pieces.
This adaptation of Stephen King’s short story turns into an engagingly offbeat comedy punctuated by sudden, sometimes shockingly gruesome scenes of violence.
Slick direction from Andy Tennant and an especially engaging lead performance by Isabelle Fuhrman make this a nifty little thriller that never wears out its welcome.
Despite an interesting premise and a terrific cast, this murky mess feels like it was cobbled together from a bare minimum of available elements.