
Movie Review: 2001 meets Roger Corman in fantastic ‘Ad Astra’
Brad Pitt plays an astronaut sent to find his father orbiting Neptune in this space drama that alternates heightened realism with goofy thrills

Brad Pitt plays an astronaut sent to find his father orbiting Neptune in this space drama that alternates heightened realism with goofy thrills

Following purportedly controversial screenings in Venice and Toronto, this epic tale of a young boy’s journey through the horrors of WWII is now playing in Prague

Godzilla and Mothra take on Ghidorah and Rodan in this monster mash sequel that still doesn’t feature enough monster action

Taron Egerton stars as the 1970s rock icon in this movie musical that includes an embarrassment of riches from an illustrious, if predictable, career

A 10-year-old boy discovers he has incredible superpowers, but chooses to use them for horrific purposes in this new horror-thriller

This may (or may not) be the best film in the Marvel Cinematic Universe yet, but it is undoubtedly the one all 21 previous films have been leading up to

This now-streaming comedy from longtime SNL writer Fred Wolf is no great shakes, but features a pair of inspired comedic performances

A Czech granny turns to violence in Teroristka, titled Shotgun Justice or The Lady Terrorist in English

The ghost of a Mexican woman who drowned her children in the 17th century is back for more in 70’s L.A. in this new addition to The Conjuring universe

This new cryptocurrency thriller starring Kurt Russell, Beau Knapp, and Luke Hemsworth is mildly engaging but never quite soars

While this remake of the classic Stephen King novel is better produced and acted than the 1989 version, it’s essentially a doppelgänger

The gothic elegance of Guillermo Del Toro’s Hellboy features has been replaced by a giant dollop of camp in this flippantly gory reboot of the Dark Horse comic

This scene-for-scene remake of In Order of Disappearance from original director Hans Petter Moland might be even better than the original

M. Night Shyamalan’s deeply unsatisfying follow-up to Unbreakable and Split does justice to neither