
‘Zoolander 2’ movie review: belated sequel fails to live up to original
Blue Steel is back, but this good-looking sequel can’t sustain the original’s ridiculous charm
Blue Steel is back, but this good-looking sequel can’t sustain the original’s ridiculous charm
Fast, loose, and (mostly) fun: this adaptation of the popular comic is a joke-filled blast
13 Hours: The Secret Soldiers of Benghazi is a brutal and undeniably effective gut punch, and Bay tells this story as no other could
This Oscar-nominated story of transgender pioneer Lili Elbe is generally handled with care
Well-cast, well-produced, and seemingly faithful to the real-life operation it depicts, The Finest Hours is a rousing, if minor, success
Ice Cube and Kevin Hart are back in action in Ride Along 2, a sequel to 2014’s action-comedy buddy cop surprise hit
Fifty Shades of Black ends up a most unfortunate cultural window with its listless parade of unfortunate stereotypes
Creed might be the same old-same old, but director Ryan Coogler and star Jordan bring some welcome fresh blood to the franchise
Joy is a real-life rags-to-riches story that is impeccably crafted but perhaps not as resonant as the filmmakers want it to be
The Big Short attempts to break down the ins and outs of the 2008 financial crisis for those of us who don’t know a CDO from a CDS
She was the Czech version of Marlene Dietrich, but this campy Third Reich melodrama doesn’t do her justice
2015’s English-language rehash of Secret in Their Eyes fails to come anywhere close to matching the original
The Revenant is a poor retelling of the fascinating true story of Hugh Glass, a completely un-faithful adaptation of its source novel
The Hateful Eight is “the eighth film by Quentin Tarantino” as proudly denoted by the opening credits
2015’s Point Break is a complete disaster despite some legitimately impressive footage of real-life stunt work
A Perfect Day is the English-language debut of director Fernando León de Aranoa (Mondays in the Sun)
Miss You Already is a cancer-themed weepie from Twilight director Catherine Hardwicke so obvious that even the title seems to be a spoiler