Ridley Scott’s Exodus: Gods and Kings is a misguided take on the Old Testament that succeeds in de-mythologizing the biblical story of Moses
Night at the Museum: Secret of the Tomb is a bright and busy sequel that represents a step up from the previous installment
Peter Jackson’s The Battle of Five Armies lives up to its title with a epic extended battle sequence that goes on for nearly an hour
Jimmy P. is Del Toro’s film, and the actor carries it with a quiet, incredibly mannered performance that is quite different to what we’ve seen from him before
Dumb and Dumber To is a belated sequel to the accurately-titled 1994 film that launched the career of writers-directors The Farrelly Brothers,
Finding Vivian Maier tells the story a lifelong nanny who posthumously became recognized as one of the greatest street photographers of the 20th century
Despite being sold as a bouncy holiday-season romance, Pohádkář (English title: Storyteller) is anything but
Watching a group of teenagers spell out words has never been as terrifying as it is in Ouija
Horrible Bosses 2 has a number of genuine laughs and an undeniable charm that overcomes its frequent vulgarity
The Hunger Games: Mockingjay – Part 1 is only the first half of the final chapter of Suzanne Collins’ immensely popular young adult franchise
Fury, a must for war movie veterans, perfectly depicts the logistics of tank battle – and the gory reality of warfare
Chadwick Boseman is so committed to the role of James Brown, so enigmatic, that you can’t take your eyes off of him
Jessabelle was written by former The State/Reno 911 member Robert Ben Garant, who also penned last years’ parody Hell Baby
Christopher Nolan’s Interstellar, one of the most anticipated films of 2014, is not the masterpiece some may be expecting, but a rare visionary head-trip nonetheless
Biting Hollywood-skewing satire meets David Cronenberg weirdness in Maps to the Stars, an occasionally vicious portrait of life in Beverly Hills
While A Walk Among the Tombstones isn’t as exciting as The Equalizer or John Wick, it’s still the class of this fall’s revenge movie crowd
The Judge is unimaginatively conceived but fluidly executed, even as it crawls to an excessive 141-minute runtime
John Wick may not wow you, but it’s a flip and (mostly) fun little B-movie actioner writ large with a solid central performance by Keanu Reeves
The Best of Me rambles along just fine most of the way but by the end seems to come to the realization that it is, in fact, a Nicholas Sparks movie
Bram Stoker’s creation enters the world of George R. R. Martin in Dracula Untold, a vampire movie that features precious little gothic horror
Annabelle is a follow-up to last year’s The Conjuring that successfully employs many of that film’s hauntingly understated techniques
The Tribe forces you to pay close attention just to be able to understand what is going on, then recoil in horror once you do
20,000 Days on Earth is a slick pseudo-documentary that purports to follow musician and writer Nick Cave’s 20,000th day on this planet
Gone Girl works as an engrossing B-movie thriller, but it’s filled with such delicious subversive cynicism and social commentary that it becomes much more