
‘Gambit’ movie review: Colin Firth, Cameron Diaz in a Coen Brothers-scripted caper
Gambit boasts a script by Joel and Ethan Coen, from the original 1966 Michael Caine caper movie of the same name.

Gambit boasts a script by Joel and Ethan Coen, from the original 1966 Michael Caine caper movie of the same name.

Mama is an exceptionally well-crafted piece of work, nicely shot (by Antonio Riestra) and scripted (by Neil Cross and the director)

You gotta love the cruel joke Spring Breakers will pull on unsuspecting audiences looking for disposable teen-friendly entertainment

Searching for Sugar Man details how fans and amateur detectives attempted to track down a forgotten musician

A Good Day to Die Hard only resembles the earlier films with a few token nods; otherwise, it feels like direct-to-DVD junk

Oz: The Great and Powerful feels awash in a computer-generated wasteland once the story moves to the titular kingdom

Hansel & Gretel: Witch Hunters takes roughly the same concept as The Brothers Grimm, aims lower, and hits a bullseye

Silver Linings Playbook is genuinely funny and genuinely touching, and moves throughout familiar territory with incredible skill

Zero Dark Thirty was conceived as an account of the CIA’s attempts to track down the al Qaeda founder behind the 9/11 attacks

Robert Zemeckis’ Flight effortlessly mixes genres and styles in its story of an alcohol and drug-addicted airline pilot

Hyde Park on Hudson was directed by Roger Michell, who has put together a diverse portfolio over the years

Beautiful Creatures is mostly well done from a technical standpoint, with terrific widescreen lensing, sets and costumes

Hitchcock is an especially disappointing film that doesn’t do justice to the titular director or his films, particularly Psycho

If The Last Stand is any indication, well, Arnold might have been better off staying in politics

Maniac is sick, disturbing, incredibly violent – and also a significant work with genuine artistic vision

Upside Down is the best kind of bad movie: it looks great, it’s never boring, and it wants you to like it

Gangster Squad is a high-profile, high-energy, overdone and undercooked version of a purportedly true story

Juan Antonio Bayona’s The Impossible is a gripping true-story account of the 2004 Indian Ocean Tsunami that devastated Thailand

A movie version of the Les Misérables has been rumored ever since the musical hit it big in the late 1980s, but has only now come to fruition

Lincoln is a star-studded, expertly filmed and directed period piece, the majority of which is engrossing and enlightening

Great Expectations starts out just fine but soon devolves into a routine production that seems less vested in telling the Dickens story

Movie 43, a parade of Saturday Night Live-style skits that intends to shock you with poor taste, is missing just one thing: the jokes

Django Unchained represents Tarantino Unchained: it’s the director’s longest, most indulgent, and gratuitously violent film yet

Tyler Perry takes over from the character previously played by Morgan Freeman in Kiss the Girls and Along Came a Spider