Something Borrowed borrows more than something from the average cut-rate romantic comedy, delivered weekly these days in familiar portions
Water for Elephants is a beautiful film to look at, and director Francis Lawrence and cinematographer Rodrigo Prieto know it
At a scant 80 minutes minus credits, the best thing that can be said about Scott Stewart’s Priest is that it’s not quite long enough to offend
There are two especially satisfying action sequences in Fast Five, the latest entry in the Fast and the Furious franchise
NOW STREAMING ON: Thor, a big-screen adaptation of the Marvel comic about the Norse god of thunder, comes with unusually high pedigree; not every comic
Mr. Nice celebrates Howard Marks, the Welsh cannabis smuggler who was said to have controlled 10% of the world’s hashish trade
The Eagle may not bring anything new to the table, but it’s a refreshingly old-fashioned action-adventure
Duncan Jones brings an all-too-welcome level of thought and intelligence to the sci-fi thriller Source Code
Like most of director Sofia Coppola’s work, Somewhere is slow and pretentious and ultimately worthwhile
Unknown starts things off with an intriguing premise and ends with a preposterous but half-satisfying conclusion
Just Go with It might be Adam Sandler’s worst movie yet; at least the cast got a trip to Hawaii out of it
Scream 4 is more of the same, and equals or betters the last two installments; fans should dig it
I Am Number Four is an amalgamation of just about all the other hot franchise properties from the past decade
Loe and Other Drugs is cookie-cutter rom-com junk food complete with wildly inappropriate happy ending
Peter Weir’s The Way Back is a great story, well-told, presenting a grueling experience in a respectable but palatable manner
Wes Craven’s My Soul to Take is an entirely watchable – but by no means remarkable – teen slasher film mixed with Scooby Doo mystery
No Strings Attached is all about the casual sex, friends with benefits relationship and what happens when one of the parties falls for the other
Sucker Punch is just that. It’s an unbearable exercise in tedium that blindsides the audience, a pandering ComiCon fanboy disaster
A thriller about “smart” people shouldn’t be so dumb, but Neil Burger’s Limitless is still a helluva lot of fun
Pouta (Walking Too Fast) deservedly swept the 2011 Czech Lion Awards: it’s one of the best Czech films of the last 20 years
Sanctum looks great in crisp, clean James Cameron-approved 3D, but that’s about the best that can be said for it
The Rite comes from the basis of something real, but it has only been used to inspire a conventional Hollywood product
Ron Howard’s The Dilemma is a rarely funny bromance, overlong and aggravating and without a dilemma
The King’s Speech is a great story, and like many great stories, it’s (mostly) true; Colin Firth and Geoffrey Rush are both excellent in their roles