
‘Fighting’ movie review: Channing Tatum solid in bare-knuckle B-movie
Fighting is director Dito Montiel’s solid-if-unspectacular B-movie that knows what it is and is firmly rooted in its origins

Fighting is director Dito Montiel’s solid-if-unspectacular B-movie that knows what it is and is firmly rooted in its origins

Director Sam Raimi returns (sort of) to his Evil Dead roots in the horror comedy Drag Me To Hell

A post-apocalyptic man vs. machine war movie, Terminator Salvation plays out like many a video game

I Love You, Man combines a buddy picture with a romantic comedy and hits all the usual notes along the way

There’s a fascinating story about the death of print journalism inside Kevin Macdonald’s State of Play

The Last House on the Left is a jarring, visceral film that is by rights superior to Wes Craven’s 1972 original

Ron Howard still doesn’t have the right feel for the material, but Angels & Demons is a considerably better film

17 Again stars Matthew Perry, who becomes a younger version of himself in Zac Efron

My Bloody Valentine, however, is the first horror film to use new 3D technology,and its also been conceived as 3D experience from the ground up

Hotel for Dogs smartly gives its wonderful canine actors as much (or more) screen time as its often-flat human cast

Defiance is a compelling portrait of a community of Jews struggling to survive as a guerrilla partisan group in Belorussian forests in 1941

Mike Leigh’s Happy-Go-Lucky isn’t as lightweight as the title would indicate

Sex Drive is the best a film like this can get, with a real affection for its characters

Stuart Townsend’s Battle in Seattle is a surprisingly effective little piece of propaganda

Marley & Me features too little Marley and too much Me, in this case Owen Wilson, standing in for the author

Bolt is Disney’s best non-Pixar animated film in quite some time

An amiable little family-friendly sci-fi adventure, director Gil Kenan’s City of Ember is reasonably fun and fast-paced

Milk certainly isn’t sour, though the traditional Hollywood biopic material is often underwhelming

Beautifully drawn, imaginatively composed, I like a whole lot of The Tale of Despereaux but left wanting a whole lot more

David Fincher’s The Curious Case of Benjamin Button is a strange film with a strange premise

Traitor examines the moral aspects of terrorism and the similarities between those fighting on opposite sides.

In the mold of Elephant and Last Days, Gus Van Sant brings us another minimalist drama in Paranoid Park

Ridley Scott’s Body of Lies gets by on some strong performances and a surprisingly intricate, well-detailed story

Twilight is a cornball Harlequin romance with a Romeo and Juliet-like love story between a human girl and a vampire boy