
‘Bottle Shock’ movie review: Alan Rickman, Bill Pullman in Napa Valley wine story
Bottle Shock looks at the 1976 blind wine-tasting competition in France that declared a Napa Valley wine as the victor

Bottle Shock looks at the 1976 blind wine-tasting competition in France that declared a Napa Valley wine as the victor

X-Men Origins: Wolverine is about as unwieldy as its title: it’s a big, sprawling mess of summer blockbuster, but lovable just the same

The Reader, based on the novel by Bernhard Schlink, raises a lot of interesting moral questions

P.J. Hogan’s Confessions of a Shopaholic is about as good as one could reasonably expect

“New Model. Original Parts.” A nice way of saying Justin Lin’s Fast and Furious is more of the same

He’s Just Not That Into you is surprisingly watchable and refreshingly inoffensive

The Pink Panther 2 is an improvement over the much-despised 2006 movie, with some talented players and clever dialogue

The Duchess evokes a nice 17th Century feel but fails to evoke much on the dramatic scale

Adam Shankman’s Bedtime Stories has a game cast but a disappointingly weak script

Underworld: Rise of the Lycans gives us what we might expect from a vampires vs. werewolves movie

Yes Man represents an amalgamation of Carrey comedies Fun with Dick and Jane, Bruce Almighty, and, mostly, Liar, Liar

Four Christmases feels like a rush job completed under the gun in order to make it to cinemas for the holiday season

The Day the Earth Stood Still feels restrained by the structure of a film it can’t possibly live up to

Dreamworks Animation’s Madagascar: Escape 2 Africa is brighter, livelier, funnier, and a shade or two better than 2005’s Madagascar

The Other Boleyn Girl is dull and listless costume drama, populated by rote one-dimensional characters

Max Payne is surprisingly effective most of the way but ultimately falls prey to genre clichés and lapses of logic

Jason Reitman’s Juno was a favorite at film festivals and award ceremonies, and among most audiences last year

Helen Hunt’s directorial debut Then She Found Me succeeds best as lightweight sitcom-level fare

The Mummy: Tomb of the Dragon Emperor may not be any good but it isn’t much worse than the previous entries

Made of Honor has had about as much thought put into it as that awful pun of a title

Jennifer Flackett and Mark Levin’s Nim’s Island should prove modest entertainment for younger audiences

Get Smart is content enough to re-create the tone and style of the original rather than becoming an overblown blockbuster

My Blueberry Nights does well enough on its own accord, though it pales in comparison to the director’s previous films

Wedding Daze is a mild, inoffensive romantic comedy that’s a bit light on both the romance and the comedy