
‘The Watch’ movie review: Ben Stiller, Vince Vaughn protect the ‘burbs from aliens
The Watch has traces of Ghostbusters and a good helping of The ‘burbs, another guilty pleasure

The Watch has traces of Ghostbusters and a good helping of The ‘burbs, another guilty pleasure

The Amazing Spider-Man improves on Sam Raimi’s original film in a number of ways but it struggles with tone throughout.

Madagascar 3: Europe’s Most Wanted is likely to appeal most to younger children and undemanding parents

Men in Black 3 represents a pleasant-enough diversion but little more after a decade-long absence from the series

The Raven might have been fascinating had it painted a more believable portrait of Poe’s last days

The Best Exotic Marigold Hotel is a pleasant enough diversion – but perhaps one best suited to its target demographic

Hysteria is never dull, and it’s often amusing enough to warrant a pass, but the romantic aspects are oh-so ordinary

The Lucky One is the latest Sparks novels to hit the big screen, and you know exactly what to expect here

We Bought a Zoo – Crowe’s first film since 2005’s Elizabethtown – is good-natured, agreeable, and even heartwarming

Robert Sedláček’s Long Live the Family is a slow-moving, low-energy, but occasionally affecting family drama-cum-road movie,

The Lorax joins Horton Hears a Who, How the Grinch Stole Christmas, and The Cat in the Hat as bloated versions of Seuss classics

My Week with Marilyn begins to feel queasy when the relationship between writer Colin Clark and star Marilyn Monroe is developed

Safe House is one of those movies where the big set pieces were conceived first, and then the story written around them

Man on a Ledge works, to the extent it does, by obscuring its plot as long as it can, for about half of the movie.

Perfect Sense takes a fascinating premise and tells it through the story of two lovers caught up in a global pandemic

Baltasar Kormákur’s Contraband lacks any kind of ambition but gets the job done as a B-movie caper flick with the cast to match

Machine Gun Preacher is never really sure how it feels about Sam Childers, and never really sure how to tell his story

There’s a lot to like in The Thing, which has been marketed as a remake of the 1982 John Carpenter film but is actually a prequel

Was Shakespeare a fraud? Roland Emmerich’s Anonymous wastes no time in getting to the answer: yes

Tower Heist is a typical Brett Ratner comedy, a little better than the last Rush Hour film, about on a par with After the Sunset

In Time may not be entirely convincing as science fiction, but it’s at least half-intelligent; it gets you thinking

Larry Crowne, Tom Hanks’ first film as director since 1996, is lightweight and easygoing, friendly and familiar on a sitcom-y level

John Madden’s The Debt is a taut and suspenseful thriller surrounding an exciting subject

Friends with Benefits is a surprisingly smart and funny romantic comedy for people who may not like romantic comedies