
‘Identity Card’ (Občanský průkaz) movie review: Czech communist-era nostalgia
Občanský průkaz (Identity Card) made a big splash with Czech critics and audiences when it opened locally last fall

Občanský průkaz (Identity Card) made a big splash with Czech critics and audiences when it opened locally last fall

Pirates of the Caribbean: On Stranger Tides is more or less the same film as the previous three Pirates outings

Tetro was worth the wait: this is Coppola’s best work as a director in 20 years, since Tucker: The Man and His Dream

Something Borrowed borrows more than something from the average cut-rate romantic comedy, delivered weekly these days in familiar portions

Water for Elephants is a beautiful film to look at, and director Francis Lawrence and cinematographer Rodrigo Prieto know it

At a scant 80 minutes minus credits, the best thing that can be said about Scott Stewart’s Priest is that it’s not quite long enough to offend

There are two especially satisfying action sequences in Fast Five, the latest entry in the Fast and the Furious franchise

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Mr. Nice celebrates Howard Marks, the Welsh cannabis smuggler who was said to have controlled 10% of the world’s hashish trade

The Eagle may not bring anything new to the table, but it’s a refreshingly old-fashioned action-adventure

Duncan Jones brings an all-too-welcome level of thought and intelligence to the sci-fi thriller Source Code

Like most of director Sofia Coppola’s work, Somewhere is slow and pretentious and ultimately worthwhile

Unknown starts things off with an intriguing premise and ends with a preposterous but half-satisfying conclusion

Just Go with It might be Adam Sandler’s worst movie yet; at least the cast got a trip to Hawaii out of it

Scream 4 is more of the same, and equals or betters the last two installments; fans should dig it

I Am Number Four is an amalgamation of just about all the other hot franchise properties from the past decade

Jack Goes Boating, the directorial debut of actor Philip Seymour Hoffman, is an oddball little NYC indie

Loe and Other Drugs is cookie-cutter rom-com junk food complete with wildly inappropriate happy ending

Peter Weir’s The Way Back is a great story, well-told, presenting a grueling experience in a respectable but palatable manner

Wes Craven’s My Soul to Take is an entirely watchable – but by no means remarkable – teen slasher film mixed with Scooby Doo mystery

No Strings Attached is all about the casual sex, friends with benefits relationship and what happens when one of the parties falls for the other

Sucker Punch is just that. It’s an unbearable exercise in tedium that blindsides the audience, a pandering ComiCon fanboy disaster

A thriller about “smart” people shouldn’t be so dumb, but Neil Burger’s Limitless is still a helluva lot of fun

Pouta (Walking Too Fast) deservedly swept the 2011 Czech Lion Awards: it’s one of the best Czech films of the last 20 years