
‘Paranormal Activity’ movie review: creepy found footage ghost story
Paranormal Activity is thoroughly creepy, and there are a couple boo! moments that might catch you off guard

Paranormal Activity is thoroughly creepy, and there are a couple boo! moments that might catch you off guard

2012 is the disaster movie mother of them all, combining earthquakes, volcanoes, tsunamis, and more

My Life in Ruins is another parade of obnoxious stereotypes that wears out its welcome quickly

This graphic Halloween sequel is brutally effective, a nightmarish vision that almost reaches arthouse levels

Love Happens, a well-intentioned but seriously mishandled film with precious little romance and no comedy

Michael Jackson’s This is It is part concert documentary, part backstage behind-the-scenes production footage, all fascinating

Kari Skogland’s Fifty Dead Men Walking is entertaining enough to please mainstream audiences

Saw VI, directed by the editor of the previous five films, Kevin Greutert, is easily the most entertaining since the second installment

The Final Destination is the weakest in the series in terms of plot and character but delivers what the core audience is looking for

The Ugly Truth continues a disturbing new breed of raunchy romantic comedy; it panders to members of both sexes, and manages to insult them equally

The Brothers Bloom stars Mark Ruffalo, Adrien Brody, and Rinko Kikuchi in a fun caper story from writer-director Rian Johnson

Surrogates poses an interesting question: instead of living your own life, what if you could control a lifelike robot to live it for you?

An intense and incredibly controlled film, Hunger represents a remarkable directorial debut for Steve McQueen

There’s exactly half a great film in Nora Ephron’s Julie and Julia: the Julia half, based on Julia Child’s My Life in France

Night of the Living Dead 3D is a cheap cash-in trying to capitalize on the name of the original and the recent resurgence in 3D films

Gamer is a loud, incoherent, and ultimately miserable experience, but the directors are trying here

Ghosts of Girlfriends Past uses Dickens’ A Christmas Carol as a basis of sorts, and it’s this storyline that keeps the movie afloat

A brilliant central concept and excellent computer-generated effects bolsters director Neill Blomkamp’s provocative District 9

Man on Wire tells Petit’s incredible tale, and lets Petit tell it himself a good portion of the time

The Taking of Pelham 123 is another pointless remake that strips the original film down to its bare essentials for an update, removing most of the flavor in the process

The Proposal starts out dismally but greatly improves as it goes through the motions

There’s a fascinating story in the behind-the-scenes of the Woodstock music festival, but Ang Lee’s Taking Woodstock only tells about half of it

Quentin Tarantino’s Inglourious Basterds is a real pleasure to watch, an audacious and inventive amalgamation of spaghetti westerns and WWII exploitation films,

Pixar’s Up doesn’t quite reach the heights of Ratatouille and Wall-E, the kind of wonderful, transcendent animated films that Hollywood rarely sees