‘Asteroid City’ movie review: Wes Anderson’s retro sci-fi fable is one of his very best films
An ensemble cast led by Scarlett Johansson, Jason Schwartzman, and Tom Hanks star in this irresistible slice of 1950s science fiction nostalgia.
An ensemble cast led by Scarlett Johansson, Jason Schwartzman, and Tom Hanks star in this irresistible slice of 1950s science fiction nostalgia.
A long-imprisoned djinn is outsmarted by the lonely scholar who wakes him in this mystifying tale from the director of Mad Max
Swinton plays a woman tracking down a mysterious sound in Colombia in this latest feature from the director of Uncle Boonmee
This new horror comedy with Bill Murray and Adam Driver delivers exactly what you’d expect from a Jarmusch zombie movie
This may (or may not) be the best film in the Marvel Cinematic Universe yet, but it is undoubtedly the one all 21 previous films have been leading up to
The latest addition to the MCU, starring Benedict Cumberbatch as the titular hero, is Marvel’s finest next to Guardians of the Galaxy
The Coen Brothers’ latest film is a divisive, but delightful, love letter to 1950s Hollywood
Comedian Amy Schumer is utterly charming in director Judd Apatow’s new comedy Trainwreck, which was written by the star
The vampire movie gets the Jim Jarmusch treatment in Only Lovers Left Alive, a too-hip-to-be-hip treatise on the undead
Wes Anderson’s dazzling WWII-era film was one of the very best of 2014
Moonrise Kingdom might be Wes Anderson’s most accessible film to date, and he paints this story with love and care
We Need to Talk About Kevin is a bold and challenging film that deals with a topic that many try to understand, but few actually do
Jim Jarmusch goes all Godard-arty in The Limits of Control, a painfully slow-moving and (nearly) fatally pretentious film
David Fincher’s The Curious Case of Benjamin Button is a strange film with a strange premise
Burn After Reading is a goofy spy comedy that has to live up to last year’s Oscar-winning drama No Country for Old Men.
Tony Gilroy´s Michael Clayton avoids the usual clichés while becoming that rare film that perfectly balances suspense with dramatic content