The long-awaited epic will screen at the Be2Can festival in Prague in October, and likely receive a wide theatrical release later this fall.
Fury, a must for war movie veterans, perfectly depicts the logistics of tank battle – and the gory reality of warfare
Nymphomaniac: Volume II gets considerably darker than Volume I, as Joe (Charlotte Gainsbourg) has lost her ability to achieve sexual pleasure
Nymphomaniac: Volume 1 is clearly an incomplete piece of work, but it features a burning energy and a tangible arc
Can’t-miss premise, intelligent script, taut direction, outstanding cast…where did Robert Redford’s The Company You Keep go wrong?
John Hillcoat’s Lawless, a prohibition-era drama about moonshiners, couldn’t be opening at a better time in the Czech Republic
After nearly two hours of Transformers: Dark of the Moon, director Michael Bay finally delivers the utter annihilation of downtown Chicago
In Wall Street: Money Never Sleeps, Gordon Gekko is no longer a villain, not even an antihero, but the wise and heroic mentor
At least half of New York, I Love You is unbearable, and only one 7-minute segment is really worthwhile
Transformers: Revenge of the Fallen doesn’t even work on the level of toy commercial
Eagle Eye tests the limits of just how dumb a film can be and still get away with it
Ignore the cynics: Indiana Jones and the Kingdom of the Crystal Skull is a film for pulp lovers, a throwback to old Republic serials and Errol Flynn adventures
A middling teen rehash of Rear Window, Disturbia starts off well but loses its way
Transformers is Michael Bay´s masterpiece: an unrestrained exercise in excess and machismo style
Surf’s Up breaks no new ground but remains likable and visually pleasing throughout