
Febiofest 2018 Review: Polanski’s ‘Based on a True Story’ Riffs on ’90s Thrillers
Misery meets Single White Female in this Paris-set film from the director of Chinatown and Rosemary’s Baby
Misery meets Single White Female in this Paris-set film from the director of Chinatown and Rosemary’s Baby
Roman Polanski’s Carnage is short, sweet, and unexpectedly funny, even if it isn’t as sharp as it ought to be
Roman Polanski’s The Ghost Writer is one of the director’s best films in his post-1970s career
Rush Hour 3 is capably handled and no worse than the previous entry but still fails to elicit any excitement