This fifth, and purportedly final, entry in Disney’s series of films based on the theme park ride is an especially bland and bloated blockbuster product
The WWII thriller The Aftermath, also starring Alexander Skarsgård and Jason Clarke, has wrapped shooting in the Czech capital
Everest is a stark, non-nonsense account of the ill-fated 1996 expedition that has been previously told through numerous non-fiction novels and films
The predominant image of Morten Tyldum’s The Imitation Game is that of Alan Turing’s giant machine, tirelessly and slowly churning its gears
Begin Again is a gleeful feel-good experience that is destined to please all but the most demanding viewers
Jack Ryan: Shadow Recruit is immensely aided by the presence of Kenneth Branagh both in front of and behind the camera
In Anna Karenina, director Joe Wright and screenwriter Tom Stoppard put a bold, dazzlingly original take on a classic piece of literature
Phantom Menace is big, sprawling, and visionary, and while it can’t hope to live up to the original trilogy it still has plenty to like
A Dangerous Method seems like a match made in heaven, though this is a far more conventional film than would be expected of Cronenberg
London Boulevard is a striking, pulpy pop-culture amalgamation of British gangster movie clichés
The Duchess evokes a nice 17th Century feel but fails to evoke much on the dramatic scale
Atonement seduces the audience with breathtaking visuals while providing a devastating emotional ride