This Noah Baumbach dramedy feels a little more detached from its characters than the industry insider film it perhaps should have been.
This lightweight thriller-comedy from writer-director Jon Watts only reaches a mild simmer, but a pair of engaging turns from its stars keep it watchable.
Ezra Miller’s Barry Allen runs back through time and turns reality into spaghetti, but it’s Keaton’s old man Batman that gives The Flash its real sizzle.
Exotic locations highlight this amiable romantic drama that returns star Julia Roberts to her Eat, Pray, Love setting.
Director George Clooney’s latest film, from a Coen Brothers script, is not entirely successful but still worth seeing
The Coen Brothers’ latest film is a divisive, but delightful, love letter to 1950s Hollywood
The Monuments Men tells the story of a handful of men who recovered artwork stolen by Nazis during WWII and their wartime efforts
Alfonso Cuarón’s Gravity is a real wow, combining ground-breaking space-age f/x with a straightforward B-movie survival plot
A cynical, pessimistic tale, The Ides of March is an all-too pertinent reminder of the state of the political game
The Descendants gets a lot of things right, but its strongest asset is honesty: these characters feel real
Some may leave Anton Corbijn’s The American unsatisfied; what’s all this symbolism and philosophy doing in my George Clooney thriller?
The Men Who Stare at Goats is more than a bit of a mess, but there’s a lot of good here and some fun performances
Up in the Air is a timely, precise, extremely well-acted film that deserves most of the praise that’s being thrown at it
Burn After Reading is a goofy spy comedy that has to live up to last year’s Oscar-winning drama No Country for Old Men.
Tony Gilroy´s Michael Clayton avoids the usual clichés while becoming that rare film that perfectly balances suspense with dramatic content
They´re not even trying anymore, and yet Soderbergh’s Ocean´s Thirteen is the best film in the Danny Ocean series