Tom Hardy is back as Eddie Brock and the alien symbiote that lives inside of him in this fast, loose, and mostly fun comic book movie
Despite a fun performance by Tom Hardy and fluid creature design, Sony’s latest comic book misfire is a near-total dud
This sequel to The Force Awakens zigs where that movie zagged, delivering some genuine surprises along the way
Christopher Nolan’s latest film isn’t only one of his best; it’s one of the best war films ever to hit the big screen
The Revenant is a poor retelling of the fascinating true story of Hugh Glass, a completely un-faithful adaptation of its source novel
In Legend, Tom Hardy stars in a dual performance as Reggie and Ronnie Kray, twin brothers and among the UK’s most infamous gangsters
Child 44 devotes only about a quarter of its 137-minute running time to the murder investigation it purports to depict
Mad Max: Fury Road is the craziest $100 million blockbuster ever made, and demands to be seen in the biggest and loudest cinema possible
John Hillcoat’s Lawless, a prohibition-era drama about moonshiners, couldn’t be opening at a better time in the Czech Republic
The Dark Knight Rises is Christopher Nolan’s highly-anticipated follow-up to The Dark Knight and final chapter in his Batman trilogy
This Means War is Spy vs. Spy as two young CIA agents vie to win the affections of a product testing executive
Tinker Tailor Soldier Spy has a near-impossible task: to hold up to John le Carré’s much-loved cold war-era novel and the definitive 1979 BBC miniseries
Inception is a masterpiece, brilliant and complex, endlessly fascinating and thought-provoking and profound
Nicolas Winding Refn’s Bronson is a striking but strangely aloof film that would have been better served had the director shown a little restraint