The Spanish director’s first English-language feature boasts a pair of engaging performances in the lead roles, but only registers as a minor work within his oeuvre.
Sebastian Stan and Julianne Moore star in this well-made but unconvincing dive into the lives of New York con artists.
An agoraphobic woman witnesses a murder – or does she? – in this aggravating new thriller from director Joe Wright
The 2019 edition of the annual film festival announced its attending guests for this year, which also include
Director George Clooney’s latest film, from a Coen Brothers script, is not entirely successful but still worth seeing
This sequel to the 2014 adaption of the comic series is as fun as its predecessor, but lacks its devilishly explosive finale
Writer-director Rebecca Miller channels Woody Allen in this smart, adult New York City-set comedy
The Hunger Games: Mockingjay – Part 2 has some standout sequences, and gives the franchise a fitting (if protracted) conclusion
Still Alice is a Disease-of-the-Week movie in which an A-list cast struggles with banal Lifetime TV material
Seventh Son stars Jeff Bridges as a grizzled 1890s prospector hunting witches in a medieval fantasyland
The Hunger Games: Mockingjay – Part 1 is only the first half of the final chapter of Suzanne Collins’ immensely popular young adult franchise
Biting Hollywood-skewing satire meets David Cronenberg weirdness in Maps to the Stars, an occasionally vicious portrait of life in Beverly Hills
Non-Stop is a good old-fashioned B-movie thriller updated with modern technology and post-9/11 air travel commentary
Don Jon represents an unusual choice of material for Joseph Gordon-Levitt, making his feature-length writing and directing debut
There’s one sequence any Carrie adaptation/remake needs to nail: the violent prom night climax
There’s a lot to like in Crazy, Stupid, Love, most of all the cast of characters played by Stone, Gosling, Steve Carrell and Julianne Moore
The Kids Are All Right is light sitcom-level entertainment, tame and dull and even, perhaps, unwittingly offensive in design
A Single Man immediately identifies director Tom Ford as an auteur with impeccable control over his craft
In Next, Cage has fun in the role of Frank Cadillac, a Vegas magician who can see two minutes into the future