This exceptionally well-crafted end-of-the-world thriller from the creator of Mr. Robot doesn’t lead to any kind of satisfying resolution.
Benoit Blanc gets a mysterious invitation to a murder mystery set on an isolated Greek island in this enigmatic sequel to Knives Out.
A kidnapped teenager is aided by the ghosts of his captor’s previous victims in this new horror film from director Scott Derrickson.
Alexander Skarsgård stars as a relentless warrior out for revenge in this brutal new feature from director Robert Eggers
The two-time Oscar winner will be award for his contribution to world cinema at the festival’s opening ceremony on August 20
The Hollywood star will present two recent films and be honored for his contribution to world cinema at the film fest, starting next weekend.
The American star will present a screening of Paul Schrader’s First Reformed at this year’s festival in Karlovy Vary, August 20-28
Ethan Hawke plays a hitman with one day to go in this violent action movie that’s better than its title indicates
With a dearth of innovation at the multiplex, here’s a blockbuster overflowing with creativity. Unfortunately, it’s destined to be one of 2017’s biggest bombs
Denzel Washington and Chris Platt help defend a farming town in this remake of the 1960 cowboy classic
Writer-director Rebecca Miller channels Woody Allen in this smart, adult New York City-set comedy
The scariest moment in Sinister 2 doesn’t involve the Boogeyman, but rather an abusive father
Boyhood was filmed over the course of dozen years from 2002-2014, as director Richard Linklater filmed his principal actors through puberty
James DeMonaco’s The Purge starts out with an idiotic, far-fetched premise and continues to stretch our credibility
Richard Linklater’s Before Midnight returns us to the ever-evolving relationship between Jesse (Ethan Hawke) and Celine (Julie Delpy)
Sinister features a traditional narrative that helps make the found footage – 8mm home movie murder films – all the more terrifying
Total Recall is doubly disappointing when compared to the 1990 Paul Verhoeven film and the original Philip K. Dick short story
Brooklyn’s Finest is a perfectly decent cop movie, the only problem being that we’ve seen it all before, usually cheaper and better on TV
Daybreakers has grisly splatter effects, obligatory action sequences, and a look that borrows from other recent sci-fi films
At least half of New York, I Love You is unbearable, and only one 7-minute segment is really worthwhile
Before the Devil Knows You’re Dead is the director’s best film in 25 years