
‘Across the Universe’ movie review: charming Beatles-themed musical
Julie Taymor’s Across the Universe is a wonderful low-key musical comprised solely of Beatles music

Julie Taymor’s Across the Universe is a wonderful low-key musical comprised solely of Beatles music

Michael Davis’ Shoot ‘Em Up is perfectly summarized by its title: 90 minutes of gunplay and dead bodies

Resident Evil: Extinction, the third entry in the increasingly tiresome series, no longer resembles its video game roots

The Heartbreak Kid doesn’t quite recapture some of the magic of the Farrelly Bros.’ There´s Something About Mary

The Last Legion is an awful mess concerning the journey of young Romulus Augustus, heir to the Roman throne

The stars of Robert Redford´s Lions for Lambs deliver with gusto

Sicko contains the strengths and weakness of Michael Moore’s other recent work

The Good Shepherd is richly detailed and expertly produced, if hellishly long and unbearably slow

Nicole Kidman stars in this modern remake of Invasion of the Body Snatchers

A stark Alaskan setting greatly elevates David Slade´s 30 Days of Night

The Seeker: The Dark is Rising is dull, plodding nonsense

Feast of Love feels insincere throughout despite a likable cast and efficient direction

Produced by Judd Apatow, Superbad makes American Pie look tame by camparison

Touching, heartfelt, irresistible; John Carney´s Once is anything but a traditional musical

A Mighty Heart is a documentary-style portrait of the kidnapping of, and search for, Daniel Pearl

The Brave One is almost a carbon copy of Michael Winner´s 1974 Death Wish, replacing Charles Bronson with Jodie Foster

Snow Cake is something like Garden State meets I Am Sam, starring Sigourney Weaver and Alan Rickman

Becoming Jane stars Anne Hathaway as author Jane Austen

1408 is an effective if uninspired ghost story that delivers the goods while sidestepping the usual clichés.

The Kingdom, with Jason Bateman and Jamie Foxx, works quite nicely as a war movie meets police procedural

Judd Apatow’s Knocked Up is wildly overpraised but still entertaining

Tomáš Vorel’s Gympl is a compelling and resonant look at the generation gap in contemporary Czech society

After being separated into 2 movies for its initial release, Grindhouse is now screening in its intended form for Czech audiences

Stardust entertains due to the multitude of left-field elements Neil Gaiman throws into his story