
‘Killer Elite’ movie review: Jason Statham, Robert De Niro in tight action film
By Jason Statham standards of believability Killer Elite ranks several notches above the Crank and Transporter films

By Jason Statham standards of believability Killer Elite ranks several notches above the Crank and Transporter films

There’s a lot to like in Crazy, Stupid, Love, most of all the cast of characters played by Stone, Gosling, Steve Carrell and Julianne Moore

Final Destination 5 is the best in the Final Destination series and heartily recommended for fans

Captain America: The First Avenger represents some of the best of what the Marvel universe has brought to the screen

Richard Ayoade’s Submarine is a pure delight: quirky, poignant, and frequently very funny

Surviving Life is Švankmajer’s most accessible work, from the style of animation to the fairly straightforward narrative

The Hangover Part II is that it’s a carbon copy of the original film, with the setting changed from Las Vegas to Thailand

Water for Elephants is a beautiful film to look at, and director Francis Lawrence and cinematographer Rodrigo Prieto know it

There are two especially satisfying action sequences in Fast Five, the latest entry in the Fast and the Furious franchise

The Eagle may not bring anything new to the table, but it’s a refreshingly old-fashioned action-adventure

Unknown starts things off with an intriguing premise and ends with a preposterous but half-satisfying conclusion

Jack Goes Boating, the directorial debut of actor Philip Seymour Hoffman, is an oddball little NYC indie

A thriller about “smart” people shouldn’t be so dumb, but Neil Burger’s Limitless is still a helluva lot of fun

The Rite comes from the basis of something real, but it has only been used to inspire a conventional Hollywood product

Roger Michell’s Morning Glory features cheerful performances, bright smiles, airy optimism, and a light, breezy tone

Tangled, Disney’s 50th animated feature, returns the company to a more comfortable traditional fairy tale setting

Gulliver’s Travels is lightweight, dumb, and short enough to remain tolerable, though it bears little resemblance to the original story

The Next Three Days scores no points for originality but it is a taut, reasonably compelling and adult thriller

Due Date is so close in story and spirit to John Hughes’ Planes, Trains & Automobiles that it might as well be considered a remake

The Other Guys succeeds where many others have recently failed as a ribald spoof of an oft-spoofed genre

Howl tries to capture many diverse scenes in the life of poet Allen Ginsberg, played by James Franco

You Will Meet a Tall Dark Stranger is an unusually light comedy that recalls some of Woody Allen’s 1970s output.

An audacious and original premise leads to some uproariously funny moments in Christopher Morris’ Four Lions

Machete delivers the goods and then some: numerous additional characters and subplots, and even a socio-political message