A gorgeous new 4K restoration of the film approved by director Mamoru Oshii premiered at last year’s Cannes Film Festival and opens in Prague cinemas this weekend.
This masterfully-crafted film from exiled Iranian director Jafar Panahi flawlessly blends nail-biting suspense, bitter political satire, and moments of laugh-out-loud comedy.
This cinematic stress test from filmmaker Josh Safdie follows in the footsteps of the director’s Good Time and Uncut Gems in escalating the rat-a-tat tension to almost unbearable levels.
The literary basis and heavy themes may be enough to turn off general audiences, but Zhao’s tender treatment and Buckley stunning lead performance turns this into an unforgettable experience.
This tender, vividly-realized drama features a quartet of compelling performances from its central cast and firmly establishes director Joachim Trier as one of Europe’s top contemporary filmmakers.
The newly-restored version is breathtaking to behold, and the enchanting original stories hold up more than half a century later; this one’s a real gem.
This latest version of the classic novel is an unexpected delight, bringing Bulgakov’s work to vivid life through playful narrative devices and elaborate visual effects.
This piercing meditation on human morality and corporate greed rates alongside Oldboy and The Handmaiden as one of Park Chan-wook’s best movies
This beautiful, soul-affirming ode echoes the most passionate work of Terrence Malick and is one of the very best films of 2025.
This isn’t even a movie about Bruce Springsteen at all—it’s a movie about depression, and the Boss is merely the vessel to tell its story.
This invigorating, timely call to action is easily the best major studio release of 2025, and an early favorite for Best Picture at next year’s Academy Awards.
Beyond its striking visuals and pulsating soundtrack, Sirât is a meditation on the human condition: what drives us to go on as our world collapses around us.
This largely faithful adaptation of Stephen King’s 1979 novel—with a few key story changes—pulls no punches and hits just as hard as it did upon release.
This is the rare mainstream film that doesn’t just tell a story—it challenges how stories are told, and lingers in the mind long after the credits have rolled.
This stark parable about the bureaucracy of terror, and the terror of bureaucracy, feels distressingly relevant to the state of contemporary politics.
A newly restored Ecce Homo Homolka got laughs and applause at this year’s Karlovy Vary film festival, showcasing Papoušek’s sharp satire of Czech family life.
This trippy, beguiling film unfolds with dream logic and casts a spell over the audience while keeping us at arm’s length for the duration.
This sprawling, authentic-feeling (but entirely fictionalized) epic is one of the best films of 2024, meticulously crafted by director Corbet.
Bill Skarsgård, Lily-Rose Depp, Nicholas Hoult, and Willem Dafoe star in this seductively terrifying version of the classic vampire tale, which was filmed in Prague last year.
Gorgeously hand-crafted, this rich but approachable spectacle breathes new life into a franchise that has seen diminishing returns.
This lengthy but entirely riveting film from director Sean Baker is one of the best of 2024, and features a star-making performance from Mikey Madison in the titular role.
This sharp drama operates as both a finely-tuned thriller as well as fascinating look behind the scenes at the Vatican, bolstered by a first-rate cast.
Demonic possession is a metaphor for grief and guilt in this scary-good sequel, which features some bravura horror filmmaking and a spellbinding performance from Naomi Scott.
This haunting sequel may not offer the subversive thrills of its predecessor, but the sheer quality of filmmaking on display makes it one worth catching in the cinema.