‘Mammoth’ movie review: a return to form for director Lukas Moodysson
Mammoth is not as good as Moodysson’s earlier films, and has a newfound preachy vibe that feels like it was lifted from Crash
Mammoth is not as good as Moodysson’s earlier films, and has a newfound preachy vibe that feels like it was lifted from Crash
Dear John is a little different the the usual Nicholas Sparks adaptation, but only in the details: the schmaltz is poured on even thicker, to even less effect
Daybreakers has grisly splatter effects, obligatory action sequences, and a look that borrows from other recent sci-fi films